Callie Khouri Net Worth
Is $250,000 Callie Khouri Wiki: Salary, Married, Wedding, Spouse, Family Carolyn Ann "Callie" Khouri (Born November 27, 1957) Is an American Film and...
Callie Khouri net worth is
Callie Khouri net worth is
$250,000
Callie Khouri Wiki: Salary, Married, Wedding, Spouse, Family
Carolyn Ann "Callie" Khouri (born November 27, 1957) is an American film and television screenwriter, producer and director. In 1992 she won the Academy Award for Best Screenplay Written Directly for the Screen for the film Thelma & Louise, which was controversial upon its release because of its progressive representation of gender politics but which subsequently became a classic. On October 10, 2012, Khouri's television series, Nashville, premiered on ABC. The critics awarded it strong reviews. | Full Name | Callie Khouri |
| Net Worth | $250,000 |
| Date Of Birth | November 27, 1957 |
| Place Of Birth | San Antonio, Texas, USA |
| Occupation | Film/television writer, director, feminist, lecturer, and producer |
| Profession | Film director, Screenwriter, Television producer |
| Education | Purdue University |
| Nationality | American |
| Spouse | T Bone Burnett, David W. Warfield |
| Nicknames | Callie Khouri, Khouri, Callie |
| IMDB | |
| Awards | Academy Award for Best Original Screenplay, Golden Globe Award for Best Screenplay - Motion Picture, Writers Guild of America Award for Best Original Screenplay, Glamour Woman of the Year Award |
| Nominations | BAFTA Award for Best Original Screenplay, Writers Guild of America Award for Television: New Series |
| Movies | Mad Money, Wanderlust, Divine Secrets of the Ya-Ya Sisterhood, Thelma & Louise, Hollis & Rae |
| TV Shows | Nashville, Hollis & Rae |
| Star Sign | Sagittarius |
| # | Quote |
|---|---|
| 1 | [on the ending of "Thelma & Louise"] It always struck me as preposterous that people saw it as a suicide. I don't even think of them as dead. I just wasn't in any way prepared for people to say, 'God, they killed themselves? What kind of message is that?' I want to say, 'It's the message you came up with, not me.' To me, the ending was symbolic, not literal. I mean, come on, read a book. We did everything possible to make sure you didn't see a literal death. That you didn't see the car land, you didn't see a big puff of smoke come up out of the canyon. You were left with the image of them flying. They flew away, out of this world and into the mass unconscious. Women who are completely free from all the shackles that restrain them have no place in this world. The world is not big enough to support them. They will be brought down if they stay here. They weren't going to be brought down. So let them go. I loved that ending and I loved the imagery. After all they went through I didn't want anybody to be able to touch them. |
| 2 | [responding to being called a 'toxic feminist' for writing "Thelma & Louise"] Kiss my ass, kiss my ass. I was raised in this society. Let them get their deal worked out about the way women are treated in films before they start hassling me about the way men are treated. There's a whole genre of films known as 'exploitation' based on the degradation of women and as a whole bunch of redneck critics extolling its virtues, and until there's a subgenre of women doing the same thing to men in numbers too numerous to court, as is the case with exploitation film, then just shut the fuck up. |
| 3 | [1992: Accepting her Oscar for Best Original Screenplay] "Well, for everybody that wanted to see a happy ending for Thelma & Louise (1991), to me, this is it." |
| # | Fact |
|---|---|
| 1 | Was member of the dramatic jury at the Sundance Film Festival in 1992. |
| 2 | Along with Kenneth Branagh, was one of the directors considered for Harry Potter and the Prisoner of Azkaban (2004). |
| 3 | Worked as a theater apprentice, waitress, and as a secretary at a music video production company before getting into the film business. |
| 4 | Briefly attended Purdue University as a theater major, but dropped out after five semesters. |
Writer
| Title | Year | Status | Character |
|---|---|---|---|
| Nashville | TV Series created by - 108 episodes, 2012 - 2017 written by - 6 episodes, 2012 - 2015 | ||
| Hollis & Rae | 2006 | TV Movie | |
| Divine Secrets of the Ya-Ya Sisterhood | 2002 | screenplay | |
| Something to Talk About | 1995 | written by | |
| Thelma & Louise | 1991 | written by |
Producer
| Title | Year | Status | Character |
|---|---|---|---|
| Nashville | 2012-2017 | TV Series executive producer - 95 episodes | |
| Hollis & Rae | 2006 | TV Movie executive producer | |
| Thelma & Louise | 1991 | co-producer |
Director
| Title | Year | Status | Character |
|---|---|---|---|
| Nashville | 2013-2016 | TV Series 14 episodes | |
| Mad Money | 2008 | ||
| Hollis & Rae | 2006 | TV Movie | |
| Divine Secrets of the Ya-Ya Sisterhood | 2002 |
Miscellaneous
| Title | Year | Status | Character |
|---|---|---|---|
| Aria | 1987 | production coordinator |
Thanks
| Title | Year | Status | Character |
|---|---|---|---|
| The Union | 2011 | Documentary special thanks | |
| HBO First Look | 2002 | TV Series documentary very special thanks - 1 episode |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| Katie | 2013 | TV Series | Herself |
| Et Hollywood créa la femme | 2010 | TV Movie documentary | Herself |
| The Dialogue: An Interview with Screenwriter Callie Khouri | 2006 | Video | Herself |
| Wanderlust | 2006 | TV Movie documentary | Herself |
| Women on Top: Hollywood and Power | 2003 | TV Movie documentary | Herself |
| HBO First Look | 2002 | TV Series documentary | Herself |
| Thelma & Louise: The Last Journey | 2002 | Video documentary | Herself |
| Without Lying Down: Frances Marion and the Power of Women in Hollywood | 2000 | TV Movie documentary | Herself |
| Intimate Portrait | 1993 | TV Series documentary | Herself |
| Omnibus | 1992 | TV Series documentary | Herself |
| The 64th Annual Academy Awards | 1992 | TV Special | Herself - Winner: Best Original Screenplay |
Archive Footage
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1992 | Oscar | Academy Awards, USA | Best Writing, Screenplay Written Directly for the Screen | Thelma & Louise (1991) |
| 1992 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | Thelma & Louise (1991) |
| 1992 | Literary Award | PEN Center USA West Literary Awards | Screenplay | Thelma & Louise (1991) |
| 1992 | WGA Award (Screen) | Writers Guild of America, USA | Best Screenplay Written Directly for the Screen | Thelma & Louise (1991) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2013 | WIN Award | Women's Image Network Awards | Outstanding Film/Show Written by a Woman | Nashville (2012) |
| 2013 | WGA Award (TV) | Writers Guild of America, USA | New Series | Nashville (2012) |
| 1992 | BAFTA Film Award | BAFTA Awards | Best Screenplay - Original | Thelma & Louise (1991) |
| 1992 | CFCA Award | Chicago Film Critics Association Awards | Best Screenplay | Thelma & Louise (1991) |
2nd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1991 | NYFCC Award | New York Film Critics Circle Awards | Best Screenplay | Thelma & Louise (1991) |
Known for movies
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