#Fact1Although He Played Morgana King and Marlon Brando's Son in the Godfather (1972), He Was Only Five and Eleven Year's Their Junior Respectively.2Although...
Of the four actors who played Vito Corleone's children in the Godfather films, he was the only one not nominated for an Oscar for doing so. Al Pacino and James Caan were nominated for Best Supporting Actor for the first film. Al Pacino was nominated again, this time for Best Actor, for the second film, in which Talia Shire was nominated for Best Supporting Actress.
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He and Meryl Streep met during a "Shakespeare in the park" stint, acting in a production of "Measure for Measure".
His father was a wholesale coal salesman and his mother was a homemaker.
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Worked as a messenger, photographer, and taxi driver in his early days as a struggling actor.
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Five of John Cazale's six films - The Godfather, The Conversation, The Godfather, Part II, Dog Day Afternoon, and The Deer Hunter are on the Library of Congress' National Film Registry, and are deemed "culturally, historically, and aesthetically significant" films. Since 1989, the Library has added 25 films to the registry each year. The Godfather films made the list the first year.
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Of the five films he appeared in, three also featured Robert Duvall, three starred Al Pacino, three were directed by Francis Ford Coppola, two starred Bobby DeNiro, and three won the Oscar for Best Picture.
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All of his films involved either Francis Ford Coppola, Al Pacino, or Robert De Niro. Or, in the case of the Godfather Part II, all three.
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Three of the five feature films he appeared in won the Oscar for Best Picture. The other two were nominated.
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Ad-libbed his famous "Wyoming?" line in Dog Day Afternoon (1975). Director Sidney Lumet laughed so hard that he feared he had ruined the take. It wasn't ruined, however, and was used in the final cut.
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Friend Al Pacino requested him to audition for the role of Sal in Dog Day Afternoon (1975). Director Sidney Lumet was, however, unsure, with Cazale not being anything like the real-life counterpart (the real Sal was eighteen, while Cazale was in his late thirties). Cazale immediately won over the part with the audition.
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Unlike most of the casting of the film, Cazale easily won his part as Fredo Corleone in The Godfather (1972) after being seen in the play 'Line' by producer of the film, Albert S. Ruddy, who was invited to see the play by Cazale's co-star Richard Dreyfuss. He was an obvious choice to both Ruddy and Coppola for Fredo.
Close friend and frequent co-star, Al Pacino, referred to Cazale as his "acting partner", the guy he could've acted with his entire life.
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Cited as a "Distinguished Performance" by the Off-Broadway Obie Awards for the 1967-1968 season for his performance in Israel Horovitz's play "The Indian Wants the Bronx".
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Has a theater named after him, the McGinn/Cazale Theatre, located at 2162 Broadway at 76th Street, NY, NY above the former Promenade Theatre (now closed) on the fourth floor. The theater sits from 99 to 108 people. The "McGinn" in the theater's title is for actor Walter McGinn.
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In spite of the desperate, violent characters he played in a handful of films, he was by all accounts an enormously kind and gentle person off screen, having been a close personal friend of most of the actors he had worked with. Among his greatest achievements was that he helped the discovery of childhood friend Al Pacino, fellow,actor Robert De Niro, and his girlfriend at the time of his early death, Meryl Streep.
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Was friends with Al Pacino when they both were working as messengers in new york in their 20's.
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Years after his death he appeared in a sixth feature film, The Godfather: Part III (1990) in archive footage. That film, like all of the films Cazale appeared in, was nominated for Best Picture.
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His father, John Cazale, was of Italian descent. His mother, Cecilia (Holland), was of Irish ancestry.
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Played characters named Stan in two movies (q.v.) The Conversation (1975) and The Deer Hunter (1978).
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Studied drama at Oberlin College and Boston University.
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Cazale appeared in only five feature films in his career, and all of them were nominated for Best Picture.
Alexander Ross has covered the video game industry for a decade, writing deep dives on game design, esports tournaments, VR developments, and gaming culture.